1 · POSITION
Mourad Mazouz opened Sketch in London in 2002 with Pierre Gagnaire. Its significance lay in treating a restaurant address as several different experiences: food, art, design and sociability could occupy the same building without being reduced to one dining-room formula. Gagnaire’s own chronology confirms the collaboration and the year. [1, 2]
2 · BEFORE SKETCH
Mazouz’s Wallpaper* interview places the project after Au Bascou in Paris and Momo in London, which opened in 1997. Sketch emerged from a restaurateur already working with atmosphere and cultural identity. It was also a demanding physical conversion: the interview describes years spent resolving structural problems in the Georgian building. [1]
3 · A COMMISSIONING AUTHOR
The restaurateur’s contribution was to assemble a setting in which different creative practices could coexist. That is a form of authorship, but it is collaborative by definition. The food required a chef, the rooms required designers and artists, and the experience depended on staff making those elements function for guests.
4 · DIFFERENT ROOMS, DIFFERENT JUDGEMENTS
The Lecture Room and Library received a third Michelin star in 2019, according to the interview’s account. That recognition concerned a specific restaurant within Sketch. It should not be used as a blanket rating for every room, bar or changing artistic installation in the building. [1]
5 · ⚑ CANDOUR
⚑ The principal narrative is Mazouz’s own retrospective interview. Its recollections of cost and difficulty are not audited project accounts and are not repeated as financial conclusions. Sketch’s collaborative character is essential: Mazouz is credited with the restaurant project and its commissioning vision, while Gagnaire retains his distinct culinary authorship.
Sources & Further Reading
Sources consulted in September 2026. This short entry has a limited bibliography; its evidential limits are stated in Candour.