LHLThe Luxury Hospitality LibraryOn the record
Register/People/LHL-P-441
PART IX · P9-07-155 · LHL-P-682

Tony Cashmore

Tony Cashmore’s place in hospitality rests on golf courses that give travellers a reason to stay. The Dunes, 13th Beach and The Henley connect his design work with operating accommodation. The subject is the course architect’s contribution to those destinations. [2, 5, 8]

Anchor
LHL-S-677 · 13th Beach Golf Links
Role
Golf course architect

1 · POSITION

Tony Cashmore’s place in hospitality rests on golf courses that give travellers a reason to stay. The Dunes, 13th Beach and The Henley connect his design work with operating accommodation. The subject is the course architect’s contribution to those destinations. [2, 5, 8]

2 · THE PRACTICE

Cashmore Golf Design’s February 2009 profile describes a practice working on new courses, revisions and wider golf developments. It presents golf design alongside the planning of residential and resort settings. This is a dated account of the firm’s scope. [1]

3 · THE WIDER SITE

The same profile emphasises the relationship between the course, clubhouse and adjoining development. That relationship is directly relevant to hospitality: a round occupies only part of a visitor’s time, while the surrounding plan determines how the rest of the stay works. [1]

4 · PERSONAL INVOLVEMENT

The 2009 practice profile describes Cashmore as the principal designer and construction supervisor on its projects. This is the firm’s account of its working method, not independent verification of his attendance at every site. [1]

5 · PROFESSIONAL SERVICE

Golf Australia’s archive records his appointment as president of the course architects’ society after serving as vice-president. The account names Ross Perrett as his predecessor. It establishes professional service without implying that Cashmore holds that office today. [11]

6 · EXCHANGE BETWEEN ARCHITECTS

In the archived announcement, Cashmore expressed interest in closer relationships with overseas societies and better understanding of architectural issues among golfers. These are recorded professional aims; the announcement does not measure their subsequent implementation. [11]

7 · THE DUNES COMMISSION

Duncan Andrews’s 2015 interview describes working closely with Cashmore at The Dunes. The relationship joins a commissioning client’s ambition with an architect’s design decisions. Both names belong in the destination’s history. [2]

8 · THE PUBLIC BRIEF

Andrews wanted paying visitors to encounter golf comparable in quality to leading private courses. His account makes public access central to the brief. That ambition helps explain why The Dunes matters within a history of travel and leisure. [2]

9 · A RANGE OF PLAYERS

The client described a course intended to challenge a strong golfer while remaining playable for a higher handicap. The design problem was therefore more specific than difficulty alone: it concerned how different players could share the same ground. [2]

10 · ROOM FOR RECOVERY

Andrews also recalled avoiding excessively punishing rough beside fairways. His recollection links enjoyment to the likelihood of finding a ball and continuing a round. The account is a client’s explanation of design intent. [2]

11 · THE PRESENT DESTINATION

The Dunes currently combines its main eighteen-hole course with The Cups, a shorter nine-hole option. Membership and visitor play coexist. This operating structure gives the place several audiences rather than a single model of attendance. [3]

12 · THE SHORTER VISIT

The Cups is presented for casual play, beginners and families. Its presence broadens the time a visitor needs to commit. The hospitality implication is a choice between a substantial round and a lighter outing. [3]

13 · BEYOND THE ROUND

Practice facilities and instruction extend the published offer. They give visitors ways to prepare, learn and return. Their current existence does not establish that Cashmore personally created the teaching programme or supervises it. [3]

14 · LINKS LODGE

The Dunes dates completion of Links Lodge to November 2021. The accommodation is a later hospitality layer around the golf destination. The available source supplies no basis for assigning its building architecture to Cashmore. [4]

15 · ACCOMMODATION CHOICES

The lodge offers king or twin bedrooms and two-bedroom suites with living areas and kitchenettes. Those arrangements accommodate different travelling parties. They establish a concrete overnight connection to the golf course. [4]

16 · THE EVENING SETTING

The clubhouse lies a short walk from the lodge. Groups can arrange catered dinners in the guest lounge. The round can therefore be followed by a shared evening close to the course. [4]

17 · A VIEW INTO THE LANDSCAPE

Suites look over the eighteenth hole towards Cape Schanck. For a guest, the course remains part of the experience after play. That is a spatial relationship between accommodation and landscape, not evidence of a shared designer. [4]

18 · ACROSS THE BELLARINE

13th Beach provides the clearest group of distinct Cashmore commissions in this record. The operator credits him with the Beach Course, joint authorship of the Creek Course, and the later Short Course. These credits should remain individually legible. [5, 6]

19 · THE BEACH COURSE

The operator identifies Cashmore as the Beach Course designer and describes its routing through rolling dunes. Contours and bunkering form part of its published character. The design credit is specific to this course. [5]

20 · THE CREEK COLLABORATION

The Creek Course is credited jointly to Sir Nick Faldo and Tony Cashmore. Reducing the attribution to the better-known playing name would lose part of the architectural record. Both names are retained. [5]

21 · TWO DIFFERENT ROUNDS

Cashmore’s statement on the course page contrasts the Beach’s links character with the Creek’s rolling terrain and more widely separated fairways. The distinction offers a reason to play both during one visit. [5]

22 · CHOICE AS A DESIGN OUTCOME

Editorially, contrasting courses can sustain a longer stay without requiring a golfer to repeat the same round. At 13th Beach, that interpretation follows from the paired designs. It is not a claim about measured hotel occupancy.

23 · THE SHORT COURSE IN 2021

The operator dates introduction of Cashmore’s nine-hole Short Course to 2021. It adds a later chapter to his association with the property. The destination’s present layout should not be treated as the product of one opening date. [6]

24 · MULTIPLE TEES

The Short Course offers tee options with published distances ranging from 105 to 188 metres. Different starting points change the task facing a player. The physical design therefore supports variation within a compact format. [6]

25 · AN EASIER COMMITMENT

The operator welcomes beginners and experienced players to the Short Course. Its smaller format provides an alternative to a championship round. This is an advertised use, rather than evidence that every visitor will find every hole easy. [6]

26 · THE KIOSK

A kiosk beside the Short Course provides refreshments on weekends. It gives the smaller course its own informal pause before or after play. The service is recorded as a current offering, with no personal design credit inferred. [6]

27 · GOLF LODGES

13th Beach identifies its Golf Lodges as the accommodation owned and managed by the club. This is the precise hospitality connection for the proposed anchor. Other nearby accommodation should retain its own identity. [7]

28 · ROOMS FOR A STAY

The lodges offer studios and two-bedroom suites, with patios and living arrangements suited to overnight travel. The source describes the rooms as close to the clubhouse. It does not attribute their architectural design to Cashmore. [7]

29 · THE PACKAGE

Stay-and-play packages combine accommodation, breakfast and course access. Golf bookings must be confirmed before arrival. The published package shows how the destination brings the landscape into a bookable stay. [7]

30 · BETWEEN COURSES

The lodging offer makes it possible to organise a visit around both championship courses. Editorially, the room becomes the interval between different golf experiences. Cashmore’s contribution remains the landscapes through which that visit is structured.

31 · DINING AT 13TH BEACH

The restaurant overlooks the Creek Course and provides indoor and outdoor seating. The course is consequently both a playing space and a setting for a meal. The present restaurant service belongs to the operator’s record. [12]

32 · LEARNING AND RETURN VISITS

The current academy offers coaching, clinics and fitting. Alongside membership, it supports uses beyond the occasional golf holiday. These activities establish the destination’s present breadth without becoming additional personal commissions for Cashmore. [12]

33 · A GENTLE WALK

The operator describes the Short Course as a gentle walk with multiple tees and shaped greens. The combination concerns duration, movement and skill. It demonstrates why a short course can merit architectural attention within a larger destination. [12]

34 · THE HENLEY

At Heritage Golf and Country Club, The Henley supplies a further completed example. The club credits Cashmore while also recording consultation with Nicklaus Design. The fuller attribution is retained even where shorter promotional descriptions omit the consultation. [8]

35 · A SEPARATE NEIGHBOUR

Heritage’s St John course carries Jack Nicklaus’s design credit. Its presence beside The Henley does not make the two courses interchangeable. The personal record needs the course name as well as the estate name. [8]

36 · CROSSING THE RIVER

The club describes reaching The Henley across a bridge over the Yarra, into the estate’s northern part. The approach gives the course a distinct location within the wider property. It is an identifiable transition for a visitor. [9]

37 · WETLANDS AND FOREST

The Henley’s published description places it among river wetlands and beside Warrandyte State Forest. Those features distinguish its setting from the coastal dunes of other commissions. The description is not an environmental performance assessment. [9]

38 · THE ROUTING PATTERN

The club identifies an outward nine and a returning nine. This describes the sequence of the round at a useful scale. It does not establish that the course occupies a true coastal links landscape. [9]

39 · ACCESS AT HERITAGE

Heritage remains a private club but advertises opportunities for interstate and overseas visitors, accompanied guests, and social or corporate groups. Access conditions form part of the destination’s character and should be checked for an actual visit. [8]

40 · YARRA VALLEY LODGE

Yarra Valley Lodge identifies Heritage as the immediate golf setting for its guests and repeats the Henley attribution to Cashmore with Nicklaus Design consultation. This provides a direct hotel-side connection to the course. [10]

41 · A GROUP STAY

The lodge presents accommodation, group dining and private event spaces as components of a golf visit. These services show how a course can support a wider social itinerary. They do not demonstrate Cashmore’s authorship of the hotel. [10]

42 · THREE HOSPITALITY CONTEXTS

The Dunes, 13th Beach and Heritage connect the architect’s work with different arrangements for staying and playing. The shared editorial subject is the designed round within a visitor’s larger day. Each place retains its own management and history.

43 · THE SCALE OF ATTRIBUTION

A resort name can conceal several designers, different construction phases and later service additions. Cashmore’s record is strongest when it names the course, identifies collaboration and separates landscape authorship from ownership or hotel operations.

44 · UNBUILT PROPOSALS

The 2009 practice profile includes projects awaiting approval as well as completed work. Those proposals are not counted here as operating destinations. A masterplan is evidence of professional activity, but not by itself of a place that welcomed guests. [1]

45 · CANDOUR

⚑ The Dunes has a phased early history, so no single definitive opening year is assigned here. The archive date attached to the society announcement is not treated as a verified election year. Shared credits at Creek and Henley are preserved. Current lodging does not prove Cashmore designed its buildings.

46 · EVIDENCE AND LIMITS

The practice profile is self-description; Andrews’s interview records a client’s recollection; operator pages establish published credits and visitor services. The sources do not support an audited account of commercial returns, environmental outcomes or Cashmore’s complete lifetime portfolio.

47 · THE ENDURING SUBJECT

Cashmore’s hospitality relevance lies in making the golf landscape worth time: a demanding round, a contrasting second course or a shorter outing. Accommodation and dining give those designed experiences a larger setting. His personal credit is the architecture of the golf itself.