LHLThe Luxury Hospitality LibraryOn the record
Register/People/LHL-P-441
Part IX · P9-07 · English short article · LHL-P-546

André Godard

André Godard helped establish the institutions through which Iran's architectural past was studied and preserved. Appointed to direct the country's archaeological services in 1928, he worked as an archaeologist, architect and museum organiser. His proposed hospitality anchor is the Abbasi Hotel in Isfahan, but the conversion's authorship requires more careful division than a single celebrated name allows. [1, 2]

Code
LHL-P-546
Book
P9-07-100
Record date
24 September 2026
Anchor
Abbasi Hotel, Isfahan
Anchor status
Proposed anchor; a separate code has not been verified in the available local register. Contribution and sole-authorship limits are discussed below.

1 · POSITION

André Godard helped establish the institutions through which Iran's architectural past was studied and preserved. Appointed to direct the country's archaeological services in 1928, he worked as an archaeologist, architect and museum organiser. His proposed hospitality anchor is the Abbasi Hotel in Isfahan, but the conversion's authorship requires more careful division than a single celebrated name allows. [1, 2]

2 · A PROPOSAL AND ITS EXECUTION

Accounts of the hotel's history credit Godard with recommending that the former Madar-e Shah caravanserai become a guesthouse. A recent scholarly study gives the subsequent preservation work a more detailed cast: Maxime Siroux returned to Iran in 1958 to work on the building with Iranian architects, artists and builders. Advocacy and execution belong to related but distinct stages. [2, 3]

3 · KEEPING THE COLLABORATORS VISIBLE

The study names Ebrahimian, Chaychi, Rashtian and Meraatian among the Iranian contributors to the conversion. Their presence changes how the hotel should be described. A functioning heritage interior is produced through many decisions about structure, ornament and use; assigning the result entirely to Godard would erase the people who carried those decisions into the building. [2]

4 · THE BUILDING RECEIVES GUESTS

The hotel's own presentation centres on its garden, rooms, restaurants and ceremonial spaces. These make the conversion tangible: an inherited courtyard complex accommodates the routines of a modern stay. The hospitality significance lies in continued use of the architectural setting, while Godard's contribution belongs within the wider history of identifying, valuing and adapting that inheritance. [1, 4]

5 · ⚑ CANDOUR

⚑ Godard died in 1965. The source-list claim that he personally directed a restoration through 1966 is therefore untenable as written. His reported role in initiating the hotel project should not displace Siroux and the Iranian teams documented by scholarship. Nor does this evidence establish uninterrupted hotel operation from the caravanserai's original construction. [1–3]